Her battle for self-esteem is linked with Ralph’s, and - this being an animated Disney feature - the outcome is hardly in doubt. Vanellope is a “glitch” - a malfunctioning program come to life - mocked and despised for her difference by the mean girls of Sugar Rush (led by Mindy Kaling) and their creepily saccharine king (Alan Tudyk). She compensates for her cloying name by channeling the voice (and therefore, at least by implication, the sensibility) of Sarah Silverman. There he meets his fellow outcast and obligatory sidekick, a sharp-tongued pixie named Vanellope von Schweetz. Ralph’s main field of battle is a car-racing game called Sugar Rush, which unfolds in a hallucinatory Hello Kitty candy land with more gumdrops than guns. “Wreck-It Ralph” does well on this score, and not only because the main gamer - an eager, mostly silent surrogate for the audience - is a girl. even though he’s just doing his job - he sets out to become a hero in another game, risking a breach of protocol that is known (for reasons that would be a spoiler to explain) as “going Turbo.” In a violent first-person shooter game where heavily armored warriors mow down rampaging insects, he encounters a tough commander named Calhoun (Jane Lynch), who will serve as a romantic foil for Felix and as an emblem of gender parity in a usually boy-centric imaginative universe. Treated as a pariah by his colleagues in Fix-it Felix Jr. Ralph, like any true Disney animated hero, undergoes an identity crisis. When the arcade is closed, the characters are able to travel outside and between their native games, a conceit that makes possible some good jokes, a handful of geek-friendly references and cameos - nice that Q*Bert gets a shout-out - and a hectic, multilevel plot. is only one of many game environments created in the film, which cleverly toggles between its own rather conventionally bigheaded, smooth-featured character design and the variously crude, fanciful and realistic styles that the players would see. Every time a quarter drops into the slot, he smashes up an apartment building until it is repaired and he is routed by Felix, a twerpy goody two-shoes voiced by Jack McBrayer.įix-it Felix Jr. Reilly, has toiled for 30 years as the “bad guy” in a game called Fix-it Felix Jr. Ralph, a lumbering giant with huge hands, an appetite for destruction and the voice of John C.
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They may command our sometimes compulsive attention, but can we ever really love them?
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In some ways this represents an easier cognitive leap, since those characters already possess rudimentary personalities along with the ability to move and make sounds.īut video game characters are also the coldblooded (or maybe code-blooded) inhabitants of rigidly deterministic worlds. “Wreck-It Ralph” attempts a similar feat with the pixilated avatars that shoot, scamper and zoom across our various interactive screens. The “Toy Story” movies have taught us to empathize with inanimate, mass-produced playthings, to imagine them with inner lives in some ways richer than our own.
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The merchandising potential is limitless! In either case, the movie invites a measure of cynicism - which it proceeds to obliterate with a 93-minute blast of color, noise, ingenuity and fun. Scholars of corporate pop-culture synergy, on the other hand, will wonder what took so long, since between them the kiddie-cartoon and joystick rackets account for untold billions of dollars in revenue. This will strike many parents as a consummation devoutly to be dreaded, akin to a sentence of consecutive birthday parties at Chuck E. “Wreck-It Ralph,” a brand-new Walt Disney feature, unites child-friendly 3-D animation with video games.